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The Social History of Smoking

George Latimer Apperson

Chapter 12:

Barry's original plan for the Travellers' Club, erected in 1832, shows no smoking-room on the ground floor. It was probably some inconvenient apartment of no account. The early "Travellers" did smoke, for Theodore Hook, satirizing them and the club rule that no person was eligible as a member who had not travelled out of the British Islands to a distance of at least 500 miles from London in a direct line, wrote:

The travellers are in Pall Mall, and smoke cigars so cosily,
And dream they climb the highest Alps, or rove the plains of Moselai,
The world for them has nothing new, they have explored all parts of it;
And now they are club-footed! and they sit and look at charts of it.

The present-day smoking-room at the Travellers' is a noble apartment, which was originally the coffee-room. It occupies the whole of the ground-floor front to the gardens of Carlton House Terrace, and is divided into three bays by the projection of square piers.

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The Social History of Smoking

George Latimer Apperson

Chapter 9:

A few years earlier, in November 1825, Scott had written in his "Journal" that after dinner he usually smoked a couple of cigars which operated as a sedative—:

Just to drive the cold winter away,
And drown the fatigues of the day.

"I smoked a good deal," he continued, "about twenty years ago when at Ashestiel; but, coming down one morning to the parlour, I found, as the room was small and confined, that the smell was unpleasant, and laid aside the use of the Nicotian weed for many years; but was again led to use it by the example of my son, a hussar officer, and my son-in-law, an Oxford student. I could lay it aside to-morrow; I laugh at the dominion of custom in this and many things.

We make the giants first, and then do not kill them."

Scott's remark that Lockhart smoked when an Oxford student rather discredits Archdeacon's Denison's statement, quoted in the preceding chapter, that smoking was very generally unknown in Oxford in 1823-24. The archdeacon was writing from memory—a very untrustworthy recorder; Scott's remark was that of a contemporary.

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